{"id":5644,"date":"2022-09-30T14:45:37","date_gmt":"2022-09-30T12:45:37","guid":{"rendered":"https:\/\/www.taxispalais.art\/?post_type=kalender&#038;p=5644"},"modified":"2022-11-10T17:14:25","modified_gmt":"2022-11-10T16:14:25","slug":"apres-la-lettre_part-2","status":"publish","type":"kalender","link":"https:\/\/www.taxispalais.art\/en\/programm\/kalender\/apres-la-lettre_part-2\/","title":{"rendered":"Apr\u00e8s la lettre___speech and effect: Challenges facing art criticism today"},"content":{"rendered":"<p>With<strong> Elke Buhr<\/strong> (Monopol \u2013 Magazin f\u00fcr Kunst und Leben), <strong>Marion Detjen <\/strong>(historian, Bard College Berlin; \u201c10 nach 8\u201d, ZEIT ONLINE), <strong>G\u00fcrsoy Do\u011fta\u015f<\/strong> <br \/>\n(art historian, critic and curator, University of Applied Arts Vienna), <strong>Hanno Hauenstein<\/strong> (Berliner Zeitung), <strong>Mar\u00eda do Mar Castro Varela<\/strong> (pedagogue and political scientist, Alice Salomon Hochschule Berlin), <strong>Aneta Rostkowska<\/strong> (curator and critic, Temporary Gallery \u2013 Centre for contemporary art), <strong>Dirk Rupnow<\/strong> (historian, University of Innsbruck) &amp; <strong>Barbara Unterthurner<\/strong> (Tiroler Tageszeitung)<\/p>\n<p>What is the task of art criticism? What is the state of its mediation function in a time when the ingrained Western criteria assessing the quality of art need to be revised? What is art criticism\u2019s responsibility in this context? What role can reflecting on one\u2019s own speaker position when judging play? How is an art-critical ethos constructed and lived? What challenges arise given the fact that numerous debates in contemporary art are taking place in political scenarios? How can art criticism position itself here? How do we want to deal with the talk of the autonomy of art in this context? These are questions that have become extremely pressing, especially in the coverage of this year\u2019s <em>documenta<\/em> that in the German-language discourse differs significantly from others. While the first part of the TAXISPALAIS event series (2018) dealt with non-discriminatory speech, this edition of <em>Apr\u00e8s la lettre__speech and effect <\/em>addresses the question regarding the kind of power and responsibility that is ascribed to art-critical speech. The symposium focuses on German-language art criticism.<\/p>\n<p>Conceived by Martina Baleva &amp; Nina Tabassomi<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Schedule<br \/>\n<\/strong>2:00pm \u2013 2:15pm Introduction by Nina Tabassomi and Martina Baleva<br \/>\n2:15pm \u2013 3:00pm Keynote by Marion Detjen<br \/>\n3:00pm \u2013 3:45pm Mar\u00eda do Mar Castro Varela and Dirk Rupnow in conversation with Nina Tabassomi<br \/>\n<em>Break with drinks<br \/>\n<\/em>4:00pm \u2013 4:30pm Lecture by Elke Buhr<br \/>\n4:30pm \u2013 5:00pm Lecture by Aneta Rostkowska<br \/>\n5:00pm \u2013 5:30pm Barbara Unterthurner in conversation with Martina Baleva<br \/>\n<em>Break with small dinner and drinks<br \/>\n<\/em>6:00pm \u2013 7:00pm G\u00fcrsoy Do\u011fta\u015f in conversation with Hanno Hauenstein<\/p>\n<p>&nbsp;<\/p>\n<p>With kind support of<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-medium wp-image-5641\" src=\"https:\/\/www.taxispalais.art\/wp-content\/uploads\/2022\/09\/institut-fuer-kunstgeschichte-300x169.png\" alt=\"\" width=\"150\" height=\"84,5\" srcset=\"https:\/\/www.taxispalais.art\/wp-content\/uploads\/2022\/09\/institut-fuer-kunstgeschichte-300x169.png 300w, https:\/\/www.taxispalais.art\/wp-content\/uploads\/2022\/09\/institut-fuer-kunstgeschichte-1024x576.png 1024w, https:\/\/www.taxispalais.art\/wp-content\/uploads\/2022\/09\/institut-fuer-kunstgeschichte-768x432.png 768w, https:\/\/www.taxispalais.art\/wp-content\/uploads\/2022\/09\/institut-fuer-kunstgeschichte.png 1182w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/> <img decoding=\"async\" class=\"alignnone size-medium wp-image-5639\" src=\"https:\/\/www.taxispalais.art\/wp-content\/uploads\/2022\/09\/philosophisch-historische-fakultaet-300x169.png\" alt=\"\" width=\"150\" height=\"84,5\" srcset=\"https:\/\/www.taxispalais.art\/wp-content\/uploads\/2022\/09\/philosophisch-historische-fakultaet-300x169.png 300w, https:\/\/www.taxispalais.art\/wp-content\/uploads\/2022\/09\/philosophisch-historische-fakultaet-1024x576.png 1024w, https:\/\/www.taxispalais.art\/wp-content\/uploads\/2022\/09\/philosophisch-historische-fakultaet-768x432.png 768w, https:\/\/www.taxispalais.art\/wp-content\/uploads\/2022\/09\/philosophisch-historische-fakultaet.png 1182w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With Elke Buhr (Monopol \u2013 Magazin f\u00fcr Kunst und Leben), Marion Detjen (historian, Bard College Berlin; \u201c10 nach 8\u201d, ZEIT ONLINE), G\u00fcrsoy Do\u011fta\u015f (art historian, critic and curator, University of Applied Arts Vienna), Hanno Hauenstein (Berliner Zeitung), Mar\u00eda do Mar Castro Varela (pedagogue and political scientist, Alice Salomon Hochschule Berlin), Aneta Rostkowska (curator and critic, [&hellip;]<\/p>\n","protected":false},"featured_media":5584,"parent":0,"menu_order":447,"template":"","kalender-kategorie":[27],"class_list":["post-5644","kalender","type-kalender","status-publish","has-post-thumbnail","hentry","kalender-kategorie-symposium-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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