{"id":2443,"date":"2019-01-10T12:40:04","date_gmt":"2019-01-10T12:40:04","guid":{"rendered":"https:\/\/taxispalais.art\/programm\/kalender\/sex-diskussionen-kuenstler_ingespraech-und-vortrag-ashley-hans-scheirl-und-em-schwarzwald"},"modified":"2019-01-24T16:33:06","modified_gmt":"2019-01-24T16:33:06","slug":"sex-diskussionen-kuenstler_ingespraech-und-vortrag-ashley-hans-scheirl-und-em-schwarzwald","status":"publish","type":"kalender","link":"https:\/\/www.taxispalais.art\/en\/programm\/kalender\/sex-diskussionen-kuenstler_ingespraech-und-vortrag-ashley-hans-scheirl-und-em-schwarzwald\/","title":{"rendered":"SEX Discussions: Artist Talk and Lecture Ashley Hans Scheirl and Em Schwarzwald"},"content":{"rendered":"\r\n

THE SERIES OF EVENTS<\/strong><\/p>\r\n\r\n\r\n

SEX DISCUSSIONS is a series of events to be presented at the TAXISPALAIS as outgrowths of the exhibition SEX over the course of the year. The questions to be addressed relate to:<\/p>\r\n\r\n\r\n

SEX & ONTOLOGY: Sex is not only the longed-for place of an intimacy that provides the subject with the promised experience of ecstasy; it is also the vertically constructed axis around which everything revolves \u2013 the ego and the non-ego. Sex is therefore not about being, but rather in being, which it expresses completely, namely in contradiction. The contradiction that is inherent in sex between knowledge (as sublimation?) and sex itself also points to their relationship of similarity. What is unique about speech\/knowledge when it refers to another unique quality, namely that of sex? Sex appears as the central dispositive of power in our pharmacopornographic century. How should a joker be played in the game of molecular dynamics? What conspiracy of post-natural contaminations permits us to conquer a subversive practice of pleasure?<\/p>\r\n\r\n\r\n

SEX & ECONOMICS: The question of energy leads directly to the economics of sex. Who has how much energy, and for what is it expended? Is our world post-orgiastic or indeed even anti-orgiastic? What remains of nature in sex would be its embedding in a \u201ctranspersonal\u201d fluid that expresses itself in the desire to discharge. Does the fact that sex can be work mean that the paradox of sex involves not only the I-you problem and the idea of subject and object, but also gives rise to a third agent \u2013 a third agent that establishes a relationship between singularity, duality and plurality? How do revolutionary gestures of autonomy relate as collective political practices to sex? What contradiction does sex work force us to consider? How do sexual economies relate to the figure of colonialism?<\/p>\r\n\r\n\r\n

ORGASM & AFFECT: Sex links all of the possibilities for sensual experience between distance and distancelessness, or fusion. The primacy of the eye, the visual paradigm, is overcome by our senses of smell, touch, taste and hearing. The secondary senses triumph. The orgasm-capable whole appears to regenerate itself at the zero point of the \u201corganless body.\u201d Is the ability to experience orgasm in itself a factor that keeps a being that is capable of orgasm in a lustful state of being? How are we to understand the relationship between affect and orgasm? Are they mutually dependent, are they similar or do they function differently? What mechanisms of discharge characterize them, and what kinds of discharge belong to the category of orgasms?<\/p>\r\n\r\n\r\n

Conceived by Elisabeth von Samsonow and Nina Tabassomi in collaboration with Andreas Oberprantacher and Kordula Schnegg from the University of Innsbruck<\/p>\r\n\r\n\r\n

 <\/p>\r\n\r\n\r\n

Artist Talk and Lecture Ashley Hans Scheirl and Em Schwarzwald, Friday, January 25, 5pm<\/strong><\/p>\r\n\r\n\r\n\r\n

Lecture by lawyer and sex-policy activist Em Schwarzwald__When we play #3 (in German)<\/strong><\/p>\r\n\r\n\r\n

What forms have queer BDSM practices generated since the 1970s? Which existing meanings do the players refer to and what new meanings can they produce in their plays? What role do categories such as class and race play in the development of BDSM roles, scenes and styles? Does queer BDSM allow us to reconfigure sex tracks? Or to put it differently, what policies, ethics and aesthetics do they enable us to experience?<\/p>\r\n\r\n\r\n

Ashley Hans Scheirl in conversation with Em Schwarzwald and Nina Tabassomi (in German)<\/strong><\/p>\r\n\r\n\r\n

Ashley Hans Scheirl’s paintings, drawings, filmic works and performances pleasurefully rebel against norms and genres on a variety of levels. In the drawings presented in the exhibition SEX and the video \u00bd Fr\u00f6sche Ficken Flink we witness lustful queer experiments taking shape. Some of them lead to violent scenarios reminiscent of Georges Bataille, Jean Genet, Marquis de Sade and Pier Paolo Pasolini. Yet at the same time they do not seem to consolidate a power relationship that defines the participants\u2019 relationship to each other outside this sexual sphere, but appear instead as a temporary arrangement of shared desires discovered during the game. Insignia of power and submission are cited in a lustful masquerade; they are detached from their contexts and can wander freely from body to body. The material character of the drawings, the camera images and the video editing refer to the fragility and vulnerability of these experimental arrangements at the same time. Under what conditions can we affirm the dimension of aggression in sex, and what role does art play in this context?<\/p>\r\n

 <\/p>\r\n\r\n\r\n

The next scheduled event in the framework of the SEX Discussions<\/a><\/strong><\/p>\r\n\r\n\r\n

Tuesday, February 12, 6.30pm: lecture Marie-Luise Angerer<\/a><\/p>\r\n\r\n\r\n

 <\/p>\r\n

With kind support from<\/strong><\/p>\r\n\r\n\r\n

Philosophisch-Historische Fakult\u00e4t, FP Geschlechterforschung: Identit\u00e4ten \u2013 Diskurse \u2013 Transformationen and FSP Kulturelle Begegnungen \u2013 Kulturelle Konflikte, University of Innsbruck<\/p>\r\n

\"\"<\/p>\r\n","protected":false},"excerpt":{"rendered":"

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