{"id":5926,"date":"2023-03-06T13:09:11","date_gmt":"2023-03-06T12:09:11","guid":{"rendered":"https:\/\/www.taxispalais.art\/?post_type=ausstellungen&p=5926"},"modified":"2026-04-22T17:12:29","modified_gmt":"2026-04-22T15:12:29","slug":"gurbette-kalmak","status":"publish","type":"ausstellungen","link":"https:\/\/www.taxispalais.art\/en\/programm\/ausstellungen\/gurbette-kalmak\/","title":{"rendered":"Gurbette Kalmak \/ Bleiben in der Fremde"},"content":{"rendered":"

Cana Bilir-Meier, Semra Ertan, Sohrab Shahid Saless, Nil Yalter, Hanefi Yeter<\/strong><\/p>\n

My name is foreigner,
\nI work here,
\nI know how I work.
\nDo the Germans also know that?
\nMy work is hard,
\nMy work is dirty.
\nI don\u2019t like it, I say.
\n\u201cIf you do not like the work,
\nGo back home,\u201d they say.
\nMy work is hard,
\nMy work is dirty,
\nMy wage is low.
\nI also pay taxes, I say.
\nI\u2019ll say it again and again,
\nWhenever I have to hear:
\n\u201cFind yourself another job.\u201d
\nBut the fault is not with the Germans,
\nIs not with the Turks.
\nTurkey needs foreign currency,
\nGermany workers.
\nMy country sold us to Germany,
\nLike stepchildren,
\nLike useless people.
\nDespite everything it needs foreign currency,
\nIt needs peace.
\nMy country sold me to Germany.
\nMy name is FOREIGNER.
\n[Semra Ertan, My Name is Foreigner<\/em>, 1981]<\/p>\n

The exhibition Bleiben in der Fremde<\/em> (Staying in foreignness) presents artistic responses to the social and political situation of laborers in the \u201cguest worker\u201d system of Western Europe. The works focus on the 1970s and were also largely created shortly after the end of the recruitment agreement (Anwerbestopp) and in the midst of an emerging paradigm of integration. This was a period when migrant workers from Turkey were fighting for equal labor and civil rights and at the same time were also justifiably skeptical of the integration paradigm with its demands for assimilation.
\nLike Semra Ertan in her poetry, Cana Bilir-Meier, Sohrab Shahid Saless, Nil Yalter, and Hanefi Yeter create a different language in video, film, photography, and painting to narrate the pain of denied belonging in both home and foreign land.<\/p>\n

Curated by G\u00fcrsoy Do\u011fta\u015f & Nina Tabassomi<\/p>\n


\nBleiben in der Fremde<\/em> is the first chapter of a TAXISPALAIS exhibition trilogy which focusses on questions of togetherness. What can artistic languages contribute to more appropriate discourses around the plurality of belonging and multiplicities in Western Europe? The chapters will be curated in different constellations.<\/p>\n

 <\/p>\n

Gurbette Kalmak
\n<\/strong><\/h1>\n

 <\/p>\n

Cana Bilir-Meier, Semra Ertan, Sohrab Shahid Saless, Nil Yalter, Hanefi Yeter<\/strong><\/p>\n

Benim ad\u0131m yabanc\u0131
\nBurada \u00e7al\u0131\u015f\u0131yor
\nNas\u0131l \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131 biliyorum
\nAlmanlar da biliyor
\n\u0130\u015fim a\u011f\u0131r
\n\u0130\u015fim pis
\nBe\u011fenmeyince
\nS\u00f6yl\u00fcyorum
\n\u201cBe\u011fenmezsen d\u00f6n vatan\u0131na\u201d diyorlar
\n\u0130\u015fim a\u011f\u0131r
\n\u0130\u015fim pis
\n\u201cBen de vergi veriyorum\u201d diyorum
\nDevam edece\u011fim demeye
\nHep b\u00f6yle duyarsam
\n\u201cKendine ba\u015fka i\u015f ara\u201d
\nFakat kabahat Almanlarda de\u011fil
\nT\u00fcrklerde de\u011fil
\nT\u00fcrkiye\u2018nin d\u00f6vize ihtiyac\u0131 vard\u0131
\nAlmanya\u2019n\u0131n i\u015f\u00e7iye
\nT\u00fcrkiye bizi Avrupa\u2019ya yollad\u0131
\nEvlatl\u0131k \u00e7ocuk
\nL\u00fczumsuz insan gibi
\nHer \u015feye ra\u011fmen
\n\u0130htiyac\u0131 vard\u0131
\nD\u00f6vize, sakinli\u011fe
\nT\u00fcrkiye beni yabanc\u0131 devlete yollad\u0131
\n\u0130smim YABANCI oldu
\n[Semra Ertan, Benim Ad\u0131m Yabanc\u0131<\/em>, 1981]<\/p>\n

Gurbette kalmak<\/em> sergisi, Bat\u0131 Avrupa\u2019n\u0131n \u201cmisafir i\u015f\u00e7ilik\u201d sistemindeki g\u00f6\u00e7men i\u015f\u00e7ilerin sosyal ve politik durumlar\u0131na tepkinin sanatsal ifade bi\u00e7imlerini yans\u0131tmakta. \u00c7al\u0131\u015fmalar 1970 li y\u0131llara odaklan\u0131yor ve \u00e7o\u011funlu\u011fu, i\u015f\u00e7i taleplerinin durduruldu\u011fu (Anwerbestopp) ve entegrasyon paradigmas\u0131n\u0131n ortaya \u00e7\u0131kt\u0131\u011f\u0131 bu d\u00f6nemde yarat\u0131l\u0131yor. T\u00fcrkiye\u2019den gelen g\u00f6\u00e7men i\u015f\u00e7ilerin; \u00e7al\u0131\u015fma ve medeni haklar i\u00e7in m\u00fccadele etti\u011fi ve asimilasyon endi\u015fesiyle, entegrasyon paradigmas\u0131na hakl\u0131 olarak \u015f\u00fcpheyle yakla\u015ft\u0131klar\u0131 bir d\u00f6nem.
\nSemra Ertan\u2019\u0131n \u015fiirde yapt\u0131\u011f\u0131 gibi; Cana Bilir-Meier, Sohrab Shahid Saless, Nil Yalter ve Hanefi Yeter de; video, film, foto\u011fraf ve resimle gurbette tan\u0131nmayan aidiyetleri anlatabilmek i\u00e7in kendilerine \u00f6zg\u00fc bir dil yarat\u0131yorlar.<\/p>\n

K\u00fcrat\u00f6rler: G\u00fcrsoy Do\u011fta\u015f & Nina Tabassomi<\/p>\n


\nGurbette kalmak<\/em> Toplumsal hayattaki etkile\u015fim sorunlar\u0131yla ilgili bir sergi \u00fc\u00e7lemesinin TAXISPALAIS\u2019deki ilk b\u00f6l\u00fcm\u00fc. Sanatsal diller; Bat\u0131 Avrupa\u2019daki \u00e7oklu aidiyetler ve \u00e7e\u015fitlilik hakk\u0131ndaki s\u00f6ylemleri daha uygun bir \u015fekilde ifade etmeye, tart\u0131\u015fmaya ve ya\u015famaya ne gibi katk\u0131lar sa\u011flayabilir? Her \u00fc\u00e7 b\u00f6l\u00fcm, farkl\u0131 ba\u011flamlarda ele al\u0131nmak \u00fczere d\u00fczenlenecek.<\/p>\n","protected":false},"featured_media":5925,"parent":0,"menu_order":0,"template":"","class_list":["post-5926","ausstellungen","type-ausstellungen","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nGurbette Kalmak \/ Bleiben in der Fremde - Taxispalais<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.taxispalais.art\/en\/programm\/ausstellungen\/gurbette-kalmak\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gurbette Kalmak \/ Bleiben in der Fremde - Taxispalais\" \/>\n<meta property=\"og:description\" content=\"Cana Bilir-Meier, Semra Ertan, Sohrab Shahid Saless, Nil Yalter, Hanefi Yeter My name is foreigner, I work here, I know how I work. 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TR"],"additional_left":"Vi","additional_right":"deo","additional_text":"","additional_label":"","additional_file":["https:\/\/www.youtube.com\/watch?v=SZrBBNB5GTs"],"additional_file_label":["Exhibition Video"],"external_left":"","external_right":"","external_link":"","external_link_label":"","programm_left":"Pro","programm_right":"gram","publication":{"text":"<p><strong>Cana Bilir-Meier, Semra Ertan, Sohrab Shahid Saless, Nil Yalter, Hanefi Yeter<\/strong><\/p>\r\n<p>My name is foreigner,<br \/>\r\nI work here,<br \/>\r\nI know how I work.<br \/>\r\nDo the Germans also know that?<br \/>\r\nMy work is hard,<br \/>\r\nMy work is dirty.<br \/>\r\nI don\u2019t like it, I say.<br \/>\r\n\u201cIf you do not like the work,<br \/>\r\nGo back home,\u201d they say.<br \/>\r\nMy work is hard,<br \/>\r\nMy work is dirty,<br \/>\r\nMy wage is low.<br \/>\r\nI also pay taxes, I say.<br \/>\r\nI\u2019ll say it again and again,<br \/>\r\nWhenever I have to hear:<br \/>\r\n\u201cFind yourself another job.\u201d<br \/>\r\nBut the fault is not with the Germans,<br \/>\r\nIs not with the Turks.<br \/>\r\nTurkey needs foreign currency,<br \/>\r\nGermany workers.<br \/>\r\nMy country sold us to Germany,<br \/>\r\nLike stepchildren,<br \/>\r\nLike useless people.<br \/>\r\nDespite everything it needs foreign currency,<br \/>\r\nIt needs peace.<br \/>\r\nMy country sold me to Germany.<br \/>\r\nMy name is FOREIGNER.<br \/>\r\n[Semra Ertan, <em>My Name is Foreigner<\/em>, 1981]<\/p>\r\n<p>The exhibition <em>Bleiben in der Fremde<\/em> (Staying in foreignness) presents artistic responses to the social and political situation of laborers in the \u201cguest worker\u201d system of Western Europe. The works focus on the 1970s and were also largely created shortly after the end of the recruitment agreement (Anwerbestopp) and in the midst of an emerging paradigm of integration. This was a period when migrant workers from Turkey were fighting for equal labor and civil rights and at the same time were also justifiably skeptical of the integration paradigm with its demands for assimilation.<br \/>\r\nLike Semra Ertan in her poetry, Cana Bilir-Meier, Sohrab Shahid Saless, Nil Yalter, and Hanefi Yeter create a different language in video, film, photography, and painting to narrate the pain of denied belonging in both home and foreign land.<\/p>\r\n<p>Curated by G\u00fcrsoy Do\u011fta\u015f & Nina Tabassomi<\/p>\r\n<p><em><br \/>\r\nBleiben in der Fremde<\/em> is the first chapter of a TAXISPALAIS exhibition trilogy which focusses on questions of togetherness. What can artistic languages contribute to more appropriate discourses around the plurality of belonging and multiplicities in Western Europe? The chapters will be curated in different constellations.<\/p>\r\n<p> <\/p>\r\n<h1><strong>Gurbette Kalmak <br \/>\r\n<\/strong><\/h1>\r\n<p> <\/p>\r\n<p><strong>Cana Bilir-Meier, Semra Ertan, Sohrab Shahid Saless, Nil Yalter, Hanefi Yeter<\/strong><\/p>\r\n<p>Benim ad\u0131m yabanc\u0131<br \/>\r\nBurada \u00e7al\u0131\u015f\u0131yor<br \/>\r\nNas\u0131l \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131 biliyorum<br \/>\r\nAlmanlar da biliyor<br \/>\r\n\u0130\u015fim a\u011f\u0131r<br \/>\r\n\u0130\u015fim pis<br \/>\r\nBe\u011fenmeyince<br \/>\r\nS\u00f6yl\u00fcyorum<br \/>\r\n\u201cBe\u011fenmezsen d\u00f6n vatan\u0131na\u201d diyorlar<br \/>\r\n\u0130\u015fim a\u011f\u0131r<br \/>\r\n\u0130\u015fim pis<br \/>\r\n\u201cBen de vergi veriyorum\u201d diyorum<br \/>\r\nDevam edece\u011fim demeye<br \/>\r\nHep b\u00f6yle duyarsam<br \/>\r\n\u201cKendine ba\u015fka i\u015f ara\u201d<br \/>\r\nFakat kabahat Almanlarda de\u011fil<br \/>\r\nT\u00fcrklerde de\u011fil<br \/>\r\nT\u00fcrkiye\u2018nin d\u00f6vize ihtiyac\u0131 vard\u0131<br \/>\r\nAlmanya\u2019n\u0131n i\u015f\u00e7iye<br \/>\r\nT\u00fcrkiye bizi Avrupa\u2019ya yollad\u0131<br \/>\r\nEvlatl\u0131k \u00e7ocuk<br \/>\r\nL\u00fczumsuz insan gibi<br \/>\r\nHer \u015feye ra\u011fmen<br \/>\r\n\u0130htiyac\u0131 vard\u0131<br \/>\r\nD\u00f6vize, sakinli\u011fe<br \/>\r\nT\u00fcrkiye beni yabanc\u0131 devlete yollad\u0131<br \/>\r\n\u0130smim YABANCI oldu<br \/>\r\n[Semra Ertan, <em>Benim Ad\u0131m Yabanc\u0131<\/em>, 1981]<\/p>\r\n<p><em>Gurbette kalmak<\/em> sergisi, Bat\u0131 Avrupa\u2019n\u0131n \u201cmisafir i\u015f\u00e7ilik\u201d sistemindeki g\u00f6\u00e7men i\u015f\u00e7ilerin sosyal ve politik durumlar\u0131na tepkinin sanatsal ifade bi\u00e7imlerini yans\u0131tmakta. \u00c7al\u0131\u015fmalar 1970 li y\u0131llara odaklan\u0131yor ve \u00e7o\u011funlu\u011fu, i\u015f\u00e7i taleplerinin durduruldu\u011fu (Anwerbestopp) ve entegrasyon paradigmas\u0131n\u0131n ortaya \u00e7\u0131kt\u0131\u011f\u0131 bu d\u00f6nemde yarat\u0131l\u0131yor. T\u00fcrkiye\u2019den gelen g\u00f6\u00e7men i\u015f\u00e7ilerin; \u00e7al\u0131\u015fma ve medeni haklar i\u00e7in m\u00fccadele etti\u011fi ve asimilasyon endi\u015fesiyle, entegrasyon paradigmas\u0131na hakl\u0131 olarak \u015f\u00fcpheyle yakla\u015ft\u0131klar\u0131 bir d\u00f6nem.<br \/>\r\nSemra Ertan\u2019\u0131n \u015fiirde yapt\u0131\u011f\u0131 gibi; Cana Bilir-Meier, Sohrab Shahid Saless, Nil Yalter ve Hanefi Yeter de; video, film, foto\u011fraf ve resimle gurbette tan\u0131nmayan aidiyetleri anlatabilmek i\u00e7in kendilerine \u00f6zg\u00fc bir dil yarat\u0131yorlar.<\/p>\r\n<p>K\u00fcrat\u00f6rler: G\u00fcrsoy Do\u011fta\u015f & Nina Tabassomi<\/p>\r\n<p><em><br \/>\r\nGurbette kalmak<\/em> Toplumsal hayattaki etkile\u015fim sorunlar\u0131yla ilgili bir sergi \u00fc\u00e7lemesinin TAXISPALAIS\u2019deki ilk b\u00f6l\u00fcm\u00fc. Sanatsal diller; Bat\u0131 Avrupa\u2019daki \u00e7oklu aidiyetler ve \u00e7e\u015fitlilik hakk\u0131ndaki s\u00f6ylemleri daha uygun bir \u015fekilde ifade etmeye, tart\u0131\u015fmaya ve ya\u015famaya ne gibi katk\u0131lar sa\u011flayabilir? Her \u00fc\u00e7 b\u00f6l\u00fcm, farkl\u0131 ba\u011flamlarda ele al\u0131nmak \u00fczere d\u00fczenlenecek.<\/p>","price":"","active":"","slug":"gurbette-kalmak","title":"Gurbette Kalmak \/ Bleiben in der Fremde","page_heading":"","page_text":"","image_title":"","image_alt":"Bild Taxis-palais Kunsthalle Tirol","image":"https:\/\/www.taxispalais.art\/wp-content\/uploads\/2023\/03\/bleibeninderfremde-websujet-xs.jpg"},"programm_one":{"title":"Workshop with director Nina Tabassomi","slug":"workshop-nina-tabassomi","excerpt":"Participation free of charge","page_heading":"","page_text":"","date":"04\/20","time":"6:30 pm","end_time":"7:30 pm","taxonomy":[{"term_id":17,"name":"Workshop","slug":"workshop","term_group":0,"term_taxonomy_id":17,"taxonomy":"kalender-kategorie","description":"","parent":0,"count":13,"filter":"raw","term_order":"0"}]},"programm_two":{"title":"Book launch: New edition of Semra Ertan's poetry book<br\/>\"Mein Name ist Ausl\u00e4nder | Benim Ad\u0131m Yabanc\u0131\"","slug":"lesung-semra-ertan","excerpt":"with Cana Bilir-Meier, Z\u00fchal Bilir-Meier, G\u00fcrsoy Do\u011fta\u015f and Nina Tabassomi","page_heading":"","page_text":"","date":"05\/24","time":"6:30 pm","end_time":"8:00 pm","taxonomy":[]},"programm_three":{"title":"Tour in Bosnian-Croatian-Serbian with Dajana Mehad\u017ei\u0107","slug":"tour-bks","excerpt":"Tour included in the price of admission","page_heading":"","page_text":"","date":"06\/09","time":"4:00 pm","end_time":"","taxonomy":[{"term_id":78,"name":"External Tour","slug":"external-tour","term_group":0,"term_taxonomy_id":78,"taxonomy":"kalender-kategorie","description":"","parent":0,"count":2,"filter":"raw","term_order":"0"}]},"programm_four":{"title":"Tour in Turkish with Tu\u011fba \u015eababo\u011flu","slug":"tour-tr","excerpt":"Tour included in the price of admission","page_heading":"","page_text":"","date":"06\/14","time":"5:00 pm","end_time":"","taxonomy":[{"term_id":78,"name":"External Tour","slug":"external-tour","term_group":0,"term_taxonomy_id":78,"taxonomy":"kalender-kategorie","description":"","parent":0,"count":2,"filter":"raw","term_order":"0"}]},"programm_five":"","yoast":{"title":"Gurbette Kalmak \/ Bleiben in der Fremde - Taxispalais"},"image_data":{"id":5925,"title":"","alt":"Bild Taxis-palais Kunsthalle Tirol","image":"https:\/\/www.taxispalais.art\/wp-content\/uploads\/2023\/03\/bleibeninderfremde-websujet-xs.jpg","image_tiny":"https:\/\/www.taxispalais.art\/wp-content\/uploads\/2023\/03\/bleibeninderfremde-websujet-xs-150x150.jpg"},"visibility":"public","_links":{"self":[{"href":"https:\/\/www.taxispalais.art\/en\/wp-json\/wp\/v2\/ausstellungen\/5926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.taxispalais.art\/en\/wp-json\/wp\/v2\/ausstellungen"}],"about":[{"href":"https:\/\/www.taxispalais.art\/en\/wp-json\/wp\/v2\/types\/ausstellungen"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.taxispalais.art\/en\/wp-json\/wp\/v2\/media\/5925"}],"wp:attachment":[{"href":"https:\/\/www.taxispalais.art\/en\/wp-json\/wp\/v2\/media?parent=5926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}